About Manfred Mohr
| Name | Manfred Mohr () |
| Birth | 1938-06-08 |
| Birth Location | Pforzheim, BW (DE) |
| Period | Post-War |
| Movement | Concrete art, Geometric Abstraction |
| Media | New Media Art, Algorithmic art |
Manfred Mohr's Biography
Manfred Mohr is a German-born artist and pioneer of algorithmic and computer-generated art. He was born in 1938 in Berlin and studied at the Kunstakademie Düsseldorf and the Hochschule für Bildende Künste in Hamburg. Mohr moved to Paris in 1968, where he worked as an independent artist and lecturer. He began experimenting with computer-generated art in the 1970s, using his own geometric abstractions as the basis for his work. He has since become a leading figure in New Media Art, as well as a proponent of Geometric Abstraction and Concrete art. Mohr has exhibited his work internationally in numerous solo and group exhibitions and his work is included in the collections of institutions including the Museum of Modern Art in New York and the Centre Pompidou in Paris.
Manfred Mohr's Art
P1680-B "artificiata II", parity(2015)
Manfred Mohr's "P1680-B artificiata II, parity" (2015) is a beautiful example of his pioneering computer-generated art. Using his own geometric abstractions as the basis for his work, Mohr creates a mesmerizing kaleidoscope of color, light, and shape. The composition is composed of a series of interlocking circles and rectangles that create a sense of balance and harmony. The colors range from deep purples and blues to vibrant oranges and yellows, creating a sense of movement and vibrancy. The work is an impressive testament to Mohr's skill as an artist and his ability to create something visually stunning and thought-provoking from his own abstractions.
P1660_A "artificiate II", projections and dimensions(2014)
Manfred Mohr’s artwork “P1660_A artificiate II, projections and dimensions” (2014) is a dynamic and captivating exploration of computer-generated art. The work features geometric abstractions, rendered in Mohr’s signature style of color, line, and shape. The piece is composed of a large-scale projection, in which Mohr’s abstractions are projected onto the wall and manipulated in real time. The combination of these forms creates a mesmerizing and ever-changing display of light, color, and movement. The piece encourages viewers to consider the different dimensions of the abstractions and how they interact in space. Mohr’s work serves as an important example of the potential of computer-generated art, and offers a glimpse into the possibilities of New Media Art.
P2200a "artificiata II", traces(2014)
Manfred Mohr's artwork "P2200a artificiata II, traces" (2014) is a stunning example of algorithmic and computer-generated art. The piece features a mesmerizing array of geometric patterns and shapes, rendered in vivid colors and tones. The composition is organized in a complex, yet balanced, arrangement, creating an overall feeling of harmony and balance. The work is a testament to Mohr's mastery of computer-generated art, as he has skillfully utilized the technology to create a visually engaging and thought-provoking piece. As a leading figure in New Media Art, Mohr's work is a powerful example of the potential of computer-generated art.
P1010_N "subsets.motion"(2004)
Manfred Mohr's P1010_N "subsets.motion" (2004) is a vivid example of algorithmic and computer-generated art. The print features a dynamic arrangement of geometric shapes and lines, which appear to move and shift throughout the composition. The piece is rendered in striking shades of blue, creating a sense of depth and movement. This artwork is a testament to Mohr's mastery of the medium, as well as his commitment to exploring the possibilities of new media. This artwork has been widely exhibited and is held in the collections of prestigious institutions such as the Museum of Modern Art and the Centre Pompidou.
P511_k(1996)
Manfred Mohr's work P511_k (1996) is an example of his pioneering exploration into algorithmic and computer-generated art. The artwork is composed of a series of geometric abstractions, rendered in black and white, that Mohr has used to create a meditative composition. The viewer is invited to ponder the stark shapes and forms that dominate the canvas, with the stark contrast between the black and white shapes creating a visual tension that encourages further reflection. The work is a testament to Mohr's commitment to exploring the potential of technology and the possibilities of creating art through unconventional means.
