About Lucio Fontana
| Name | Lucio Fontana () |
| Birth | 1899-02-19 |
| Birth Location | Rosario de Santa Fé (AR) |
| Death | 1968-09-07 |
| Death Location | Comabbio, VA (IT) |
| Period | Modern |
| Movement | Abstract Expressionism, Arte Povera, Tachisme, Abstraction-Création, Spatialism |
| Media | Painting, Works on Paper, Sculpture |
Lucio Fontana's Biography
Lucio Fontana was an Italian sculptor, painter and theorist of the 20th century. Born in Comabbio, VA, Italy in 1899, Fontana was an Italian Futurist and was an early practitioner of Spatialism, a movement he helped to establish in 1947. He was also a major contributor to the Arte Povera and Abstract Expressionism movements. Fontana's work focused on the concept of emptiness and the void, and he often incorporated found objects and materials into his work. Fontana's most recognizable works are his “Concetti Spaziali” (Spatial Concepts), which consist of large canvases with slashes, punctures, and holes that he created using a stiletto. Fontana's works were included in major international exhibitions such as documenta and the Venice Biennale and he was the recipient of the Grand Prize for Painting at the 1966 Venice Biennale. Fontana passed away in 1968 in Comabbio, VA.
Lucio Fontana's Art
Corrente (Rosso)(1967)
Lucio Fontana's 1967 work Corrente (Rosso) is a clear example of his style of Spatialism. The canvas depicts a bold, bright red slash cutting diagonally across the surface. This slash, created by Fontana with a stiletto, is a characteristic element of his work and serves to emphasize the concept of emptiness and void. The vibrant red of the slash stands out against the white background, creating a striking contrast. Corrente (Rosso) is a powerful artwork which embodies Fontana's style and his fascination with the concept of emptiness.
L’Épée dans l’eau(1962)
Lucio Fontana’s L’Épée dans l’eau (1962) is a prime example of the artist’s exploration of the concept of emptiness and the void. The work consists of a large canvas with several slashes, punctures, and holes made with a stiletto. The black and white painting is framed by a golden border, emphasizing the contrast between the dark and light elements of the work. The slashes appear to move in a wave-like motion, creating a sense of movement and dynamism along with a feeling of depth and distance. Fontana’s L’Épée dans l’eau is a powerful piece that speaks to the artist’s use of the void to create a sense of emptiness and a questioning of the boundaries between space and form.
Concetto spaziale(1967)
Lucio Fontana's Concetto spaziale (1967) is a large canvas with slashes, punctures, and holes created using a stiletto. This piece is a prominent example of his Spatialism movement, which he helped to establish in 1947. Fontana uses this artwork to explore the concept of emptiness and the void, often incorporating found objects and materials into his work. This work is a powerful expression of Fontana's unique artistic vision, and it has been featured in major international exhibitions such as Documenta and the Venice Biennale, where he received the Grand Prize for Painting in 1966.
ohne Titel()
Lucio Fontana's ohne Titel is a classic example of his Spatialism movement. The artwork consists of a large canvas with multiple slashes, punctures, and holes that were created using a stiletto. The canvas is a stark white, allowing the viewer to focus on the empty voids of the canvas. Fontana's use of the stiletto to make these punctures and slashes symbolizes his interest in the concept of emptiness and its relationship to the void. His focus on emptiness and the void emphasizes his desire to explore the boundaries of art and the physicality of space.
„Concetto Spaziale“(1957)
Lucio Fontana's Concetto Spaziale is one of his most iconic works. Created in 1957, the artwork features a large canvas with slashes, punctures, and holes created by Fontana using a stiletto. The artwork is a representation of his exploration of the concept of emptiness and the void, a concept that was central to Fontana's practice. The artwork is a physical manifestation of his exploration of the relationship between space, time, and matter, and can be seen as an attempt to capture the essence of the void. The artwork was included in major international exhibitions such as documenta and the Venice Biennale, and Fontana was the recipient of the Grand Prize for Painting at the 1966 Venice Biennale.
