About Karin Sander
|Name||Karin Sander ()|
|Birth Location||Bensberg, NRW (DE)|
|Media||Sculpture, Installation Art|
Karin Sander's Biography
Karin Sander is a contemporary German sculptor and installation artist born in 1957. Her work is often focused on the relationship between the physical and the virtual, examining how a viewer's perception of a space is affected by the presence of both the physical and the digital. She is particularly interested in exploring the effects of light and movement, as well as the interplay between form and space. Her work has been exhibited widely in Europe, Asia, and the Americas, and her sculptures can be found in many public and private collections.
Karin Sander's Art
Mailed Painting 144, Bonn-New York-Wien(2014)
Karin Sander’s artwork Mailed Painting 144, Bonn-New York-Wien (2014) is an intriguing exploration of the physical and virtual realms. It is composed of a painting on wood, sent from Germany to Austria and then to the United States, where it was reconstructed and reassembled. In this work, Sander explores the effects of physical transportation on the artwork and its form, as well as the interplay between form and space. The piece is both visually striking and thought-provoking, as it highlights the power of both physical and digital spaces in shaping our perception of the world.
Call Shot 36(2014)
Karin Sander's work Call Shot 36 (2014) is a stunning sculptural installation composed of a series of geometric aluminum tubes suspended from the ceiling. Illuminated from within, the tubes appear to be in constant movement, creating a dynamic and mesmerizing effect. The interaction between light, shadow and movement create an immersive experience that shifts as the viewer moves around the space. By exploring the relationship between physical and digital, Sander's artwork investigates how perception of a space is affected by the presence of both the physical and the virtual. This captivating work is a testament to her skill as an artist, and a reminder of the power of art to shape our experience of the world.
Call Shot 25(2014)
Karin Sander's artwork, Call Shot 25 (2014), is a captivating installation which combines physical and virtual elements to create a unique experience. The installation consists of a space filled with 25 black and white cubes, each of which contain a projection of a small, everyday object. Through the interplay of light, movement, and form, Sander creates a dynamic and ever-changing environment, allowing the viewer to experience the relationship between the physical and the virtual. The presence of both the physical and the digital creates an immersive effect, allowing the viewer to explore the effects of light and movement on perception. Call Shot 25 (2014) is a thought-provoking and engaging artwork, which stands as a testament to Sander's innovative approach to sculpture.
Gian 1:5 (2008) by Karin Sander is an installation sculpture that explores the relationship between physical and virtual space. The sculpture consists of an array of five white cubes that are illuminated from within, creating a glowing, abstract form. The five cubes are set into a larger black cube, creating a contrast between the bright white cubes and the dark background. This contrast emphasizes the relationship between the physical and the virtual, and creates a unique and dynamic experience for the viewer. The movement of the light within the cubes creates a shifting, ever-changing image that further explores the interplay between form and space.